2019. “Schoenberg – Schenker – Bach: A Harmonic, Contrapuntal, Formal Braid.” Zeitschrift der Gesellschaft für Musiktheorie 16/1.

2018. “Some Statistical Properties of Harmony and Voice Leading in Shemokmedi School Georgian Chant.” Proceedings of The Eighth International Symposium on Traditional Polyphony, 26–30 September, 2016, Tbilisi, Georgia. Ed. Rusudan Tsurtsumia and Joseph Jordania. 474–83. Tbilisi: International Research Center for Traditional Polyphony of Tbilisi Vano Sarajishvili State Conservatoire.

2018. “Form – Function – Content.” Music Theory Spectrum 40/2: 218–26

2018. The Musical Thought and Spiritual Lives of Heinrich Schenker and Arnold Schoenberg (Abingdon: Routledge)

2017. “The Two Deaths in Beethoven’s Bagatelle, op. 126, no. 4.” Music Theory and Analysis 4/1: 1–8

2017. “Toward a Renovation of Motivic Analysis: Corrupt Organicism in Berg’s Piano Sonata, op. 1.” Theory and Practice 42: 101–39

2016. Review of Robert P. Morgan, Becoming Heinrich Schenker: Music Theory and Ideology (Cambridge: Cambridge University Press, 2014). Journal of Music Theory 60/1: 89–95

2013. “Schenker and Schoenberg on the Eye of the Genius.” Theoria 20: 39–120

2012–2013. “Schoenberg on Problems; or, Why the Six-Three Chord Is Dissonant.” Theory and Practice 37–38: 1–62

2012. “Interruption and the Problem of Unity and Repetition.” Journal of Schenkerian Studies 6: 1–32

2011. “Schenker and Schoenberg on the Will of the Tone.” Journal of Music Theory 55/1: 89–146